All The Young Dudes single (Mott The Hoople) – NetherlandsWritten by: David Bowie
Recorded: 411 December 1972
Producers: David Bowie, Ken Scott

Released: 28 July 1972 (Mott the Hoople); May 1995 (Bowie)

Available on:
Aladdin Sane (30th Anniversary edition)
David Live
Ziggy Stardust: The Motion Picture
Cracked Actor (Live Los Angeles ’74)
Glastonbury 2000
BBC Radio Theatre, London June 2000
A Reality Tour
Nothing Has Changed
Moonage Daydream


David Bowie: vocals, saxophone
Mick Ronson: guitar, vocals
Mike Garson: piano
Trevor Bolder: bass guitar
Mick Woodmansey: drums
Ken Fordham, Brian ‘Bux’ Wilshaw: tenor saxophone

Donated to Mott the Hoople to revitalise their career in 1972, ‘All The Young Dudes’ became one of David Bowie’s most enduring and best-loved songs.

It was the first song I’ve written for somebody else. They were at the point of breaking up as a band and I told them not to, because I thought they were a very good band. I told them I’d write them a hit single. And I did. It was easy.
David Bowie, 1972
Mojo, May 2009

‘All The Young Dudes’ was the quintessence of Bowie’s glam rock era. Not only did it namecheck his chart rivals T.Rex, it also took in cross-dressing (“Now Jimmy looking sweet, though he dresses like a queen”) and implied homosexuality (“It’s a real mean team/We can love/Oh we can love”).

Bowie also namechecked Freddie Burretti and Wendy Kirby, friends from the gay nightclub Yours Or Mine underneath the El Sombrero restaurant in Kensington. Burretti was Bowie’s clothes designer, playing a key role in shaping the Ziggy Stardust look.

We were the ‘young dudes’ who shaved off our eyebrows just for camp, because you could paint them on higher up – that gave us a strange unearthly look which David adopted. He was always open to suggestions and went through our wardrobes like a magpie!
Wendy Kirby, December 2011
Shapers of the 80s

The song was an anthem for the young, from the title to the crazy “television man … saying we’re juvenile delinquent wrecks”. Bowie took a wrecking ball to social norms and personal limits (“Is that concrete all around, or is it in my head?”), and drew a clear line between the old 1960s generation and the wondrous new decade that belonged to him:

And my brother’s back at home
With his Beatles and his Stones
We never got if off on that revolution stuff
What a drag
Too many snags

In 1974 Rolling Stone magazine brought Bowie and author William Burroughs together for an interview. Burroughs asked about the apocalyptic five years concept of the Ziggy Stardust album, and Bowie explained the relationship of ‘All The Young Dudes’ to it.

The time is five years to go before the end of the earth. It has been announced that the world will end because of a lack of natural resources. Ziggy is in a position where all the kids have access to things that they thought they wanted. The older people have lost all touch with reality and the kids are left on their own to plunder anything. Ziggy was in a rock and roll band and the kids no longer want rock and roll. There’s no electricity to play it. Ziggy’s adviser tells him to collect news and sing it, ’cause there is no news. So Ziggy does this and there is terrible news. ‘All The Young Dudes’ is a song about this news. It is no hymn to the youth as people thought. It is completely the opposite.
David Bowie
Rolling Stone, 28 February 1974
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